The Rattlesnake
Jacket
Jacket
The first design came about in May 2004. I was visiting The Harbour Gallery when one of it’s directors, Pat Robson asked me if I would be able to embroider a rattlesnake on the back of a jacket.
David had once owned a jacket with such a design, but it had been stolen whilst he was traveling and he wanted to replace it.
Knowing of David’s good reputation and always keen to practice my skills and take on a challenge, of course I said, ‘yes’.
David provided the jacket and I got to work, designing the rattlesnake from a series of photographs.
Initially I drew out the design onto calico and then, working on a frame, applied fragments of old crocheted lace to piece the snake together. The main colour was added with fabric paint which I also used on the satin covered rattle. When finished, seventy hours later, the snake was carefully cut out and attached to the back of the coat with tiny stitches. Finally I added gemstones, rocaille beads and hundreds of french knots. The snake's tongue was sewn directly onto the coat as were defining lines to give a relief effect to its face.
David was delighted with the jacket. He still wears it frequently and when I looked at it recently I was pleased to see that it showed no sign of wear. It is important to me that my work should be strong, fit for purpose and good value for money.
David had once owned a jacket with such a design, but it had been stolen whilst he was traveling and he wanted to replace it.
Knowing of David’s good reputation and always keen to practice my skills and take on a challenge, of course I said, ‘yes’.
David provided the jacket and I got to work, designing the rattlesnake from a series of photographs.
Initially I drew out the design onto calico and then, working on a frame, applied fragments of old crocheted lace to piece the snake together. The main colour was added with fabric paint which I also used on the satin covered rattle. When finished, seventy hours later, the snake was carefully cut out and attached to the back of the coat with tiny stitches. Finally I added gemstones, rocaille beads and hundreds of french knots. The snake's tongue was sewn directly onto the coat as were defining lines to give a relief effect to its face.
David was delighted with the jacket. He still wears it frequently and when I looked at it recently I was pleased to see that it showed no sign of wear. It is important to me that my work should be strong, fit for purpose and good value for money.